- October 27, 2009
Yo-Yo Ma and the Atlanta Symphony Orchestra under the direction of Robert Spano, presented the world premiere of composer Angel Lam’s new work: Awakening From a Disappearing Garden for solo cello and orchestra on October 15, 2009.
Yo-Yo’s relationship to the composer goes back to 2005-2006, when she was awarded a Carnegie Hall Emerging Composer Commission. The resulting work, Empty Mountain Spirit Rain, was developed in part in a workshop setting with the Silk Road Ensemble in March 2005 and was also part of the Carnegie Hall/Tanglewood Music Center/Silk Road Project workshop in August 2006. This piece has been part of the touring repertoire for the Silk Road Ensemble for several years and has been recorded by the SRE.
Lam’s music reflects the beauty she finds in everyday life. Her works begin life as a narrative; through her own short stories that form an integral part of her compositional method, drawing on Western and Chinese classical sources.
In Awakening from a Disappearing Garden, (commissioned by Carnegie Hall through the generosity of Henry R. Kravis in honor of his wife Marie-Josée) Lam’s story is “about two women, two different generations, two different eras, in a society that had turned our nature upside down and then upside down again . . .”
The New York premiere will take place at Carnegie Hall as part of it’s “Ancient Paths Modern Voices: A Festival Celebrating Chinese Culture” on November 7, 2009.
- October 27, 2009
Last week the Harvard Graduate School of Education presented a Silk Road Project residency with acclaimed cellist Yo-Yo Ma and Silk Road Ensemble musicians. The series of workshops, panels and discussions culminated in a performance and the presentation of the inaugural Harvard Graduate School of Education Thelma E. Goldberg Arts in Education Award to Yo-Yo Ma and the Silk Road Project, a nonprofit artistic, cultural and educational organization founded in 1998 by Mr. Ma to promote innovation and learning through the arts.
“I am honored that our work is being celebrated with this award, which recognizes the arts as essential to mainstream education,” commented Yo-Yo Ma, artistic director of the Silk Road Project. “One of our principal goals at the Project is to promote learning that is driven by passion as opposed to learning simply to meet requirements. Our colleagues at Harvard have been voices of inspiration and valued counsels for our educational work, and I am looking forward to engaging with them deeply this week about innovative ways to bring about and support this kind of integrated learning.”
The October 2009 residency is part of a multi-year affiliation initiated in 2005 between the Silk Road Project and Harvard University’s Faculty of Arts and Sciences. Since then, annual residencies have resulted in intensive artistic and intellectual collaborations. Silk Road Ensemble members have performed, interacted with students, conducted workshops, shared works in progress and composed new works. The Silk Road Project has worked with Harvard faculty to facilitate multicultural engagement in the arts, literature, history and music of the Silk Road region, giving rise to cross-disciplinary undergraduate coursework.
- September 29, 2009
…We're here because I wanted to introduce them to some of America's finest, most creative, most accomplished young people. I wanted to come here because I wanted to showcase the value of arts education -- and you put that on display. That fact that it gives the chance to our young people to discover their voices and to develop their talents, this should be an opportunity that is available for every single child in this nation and quite frankly around the world.
And I wanted to come here because this school embodies the belief that President Obama and I share -- and that is the arts aren't just a nice thing to do if you have a little time, right? It's not just a hobby, although it can be a very good hobby. It shouldn't be something you do just because you can afford it.
We believe strongly that the arts aren't somehow an "extra" part of our national life, but instead we feel that the arts are at the heart of our national life. It is through our music, our literature, our art, drama and dance that we tell the story of our past and we express our hopes for the future. Our artists challenge our assumptions in ways that many cannot and do not. They expand our understandings, and push us to view our world in new and very unexpected ways.
And most of all, the arts have the power to connect us to each other throughout nations. It's something that we tend to share with one another as spouses. When we go to other countries, there's a common theme -- that we share our music, we share our dance, we share our culture -- because it reminds us that our world here in America is not so distant from other cultures and worlds around the globe.
It's what happens when a country music star like Trisha Yearwood performs in Italy, and students here at CAPA study Italian Renaissance art. Or when Sara Bareilles draws inspiration from an Icelandic singer named Bjork or a Jamaican singer named Bob Marley. Or when Yo-Yo Ma, born in Paris to Chinese parents, promotes the music of Kazakhstan and Brazil, and Israel, and Egypt and more -- and goes on to become one of the most beloved American artists of all time.
It's through this constant exchange -- this process of taking and giving, this process of borrowing and creating -- that we learn from each other and we inspire each other. It is a form of diplomacy in which we can all take part. I think Yo-Yo Ma put it best when he said, "When you learn something from people or from a culture, you accept it as a gift, and it is your lifelong commitment to preserve that gift and to build on that gift."
And that is what we're doing here today. We're presenting the gifts of these wonderful American artists to our friends from all around the world. And these artists are passing on the gift of their magnificent example to these young people who are here today, studying in this school -- showing them that if they dream big enough, and work hard enough, and believe in themselves, that they can do and achieve some uncommon things in their lifetime.
That is the core of my mission as First Lady -- to share the gifts that come with life in the White House with many of our young people as I possibly can find. That's why I've worked to make the White House a showcase of America's rich cultural life. We have held country music celebrations, and jazz performances, and I think we held the very first poetry jam that has ever happened in the White House.
Read the full transcript here
- September 25, 2009
Yo-Yo Ma: 30 Years Outside The Box encompasses Mr. Ma’s entire recorded career and then some; including essays from his friends and colleagues, and photos from throughout his 30 year journey - plus through an exclusive offer, a personalized note from Yo-Yo to you, his fan, and a signed never before released photo.
- September 25, 2009
At Today’s G-20 Summit in Pittsburgh Yo-Yo Ma and Jason Yoder performed a suite of three pieces: the Turkish composer Adnun Saygun's Partita, The Swan by Saint-Saens, and one Eric Sammut's Rotations. The first piece is for solo cello, the last is for solo marimba, and they played The Swan together.
- September 24, 2009
On Friday September 25, Yo-Yo Ma will perform for First Lady Michelle Obama and her counterparts from around the world as part of the G-20 Summit Meeting events in Pittsburgh.
In a program continuing Mrs. Obama's agenda to expose our nation’s students to leading masters in their fields, Yo-Yo Ma, Sara Bareilles and Trisha Yearwood will perform along with student musicians and dancers from the Pittsburgh Creative and Performing Arts School (CAPA). As part of the program, Yo-Yo Ma will perform a duet with marimba player Jason Yoder, a CAPA student who is also the principal percussionist with the Pittsburgh Youth Symphony.